Dominic GLYNN - Berkeley CA, US Anthony A. Apodaca - San Rafael CA, US Rod Bogart - San Rafael CA, US David W. Crawford - Long Beach CA, US Ed Nemeth - Hermosa Beach CA, US
Assignee:
Pixar Animation Studios - Emeryville CA
International Classification:
G09G 5/00
US Classification:
345629, 382100
Abstract:
A computer-implemented method for generating images. The method includes receiving first and second target images. The method further includes computing a delta image based on a difference between the first target image and the second target image and a technique for multiplexing a first display image with the delta image, where the first display image multiplexed with the delta image, when viewed by a person in an ambient setting, is perceived as the second target image. Advantageously, a hidden image is obscured from an ambient observer, while still providing the ambient observer with a target image that is intended to be perceived.
Temporal Cadence Perturbation For Time-Division Stereoscopic Displays
DOMINIC GLYNN - Berkeley CA, US ROD BOGART - San Rafael CA, US
Assignee:
Pixar Animation Studios - Emeryville CA
International Classification:
G06T 15/00
US Classification:
345419
Abstract:
One or more techniques to reduce or eliminate the false depth of objects that move along the axis of ocular separation when displayed using time division multiplexing. Experiments can be performed to determine a perceived depth of an object moving with known velocity. Then, when rendering stereoscopic image pairs, the location of the object can be modified to change the perceived stereoscopic depth of the object to compensate for the false depth. In one technique, the images can be displayed with alternating left- and right-precedence to reduce the perception of false depth.
Temporal Cadence Perturbation For Time-Division Stereoscopic Displays
DOMINIC GLYNN - Berkeley CA, US Rod Bogart - San Rafael CA, US
Assignee:
Pixar Animation Studios - Emeryville CA
International Classification:
G06T 15/00
US Classification:
345419
Abstract:
One or more techniques to reduce or eliminate the false depth of objects that move along the axis of ocular separation when displayed using time division multiplexing. Experiments can be performed to determine a perceived depth of an object moving with known velocity. Then, when rendering stereoscopic image pairs, the location of the object can be modified to change the perceived stereoscopic depth of the object to compensate for the false depth. In one technique, the images can be displayed with alternating left- and right-precedence to reduce the perception of false depth.
Temporal Cadence Perturbation For Time-Division Stereoscopic Displays
DOMINIC GLYNN - Berkeley CA, US ROD BOGART - San Rafael CA, US
Assignee:
Pixar Animation Studios - Emeryville CA
International Classification:
H04N 13/04
US Classification:
348 55, 348E13075
Abstract:
One or more techniques to reduce or eliminate the false depth of objects that move along the axis of ocular separation when displayed using time division multiplexing. Experiments can be performed to determine a perceived depth of an object moving with known velocity. Then, when rendering stereoscopic image pairs, the location of the object can be modified to change the perceived stereoscopic depth of the object to compensate for the false depth. In one technique, the images can be displayed with alternating left- and right-precedence to reduce the perception of false depth.
Automatic Print And Negative Verification Methods And Apparatus
David DiFrancesco - Point Richmond CA, US Dominic Glynn - Berkeley CA, US Hee Soo Lee - San Francisco CA, US
Assignee:
Pixar - Emeryville CA
International Classification:
G06K 9/00
US Classification:
382141
Abstract:
A method for inspecting a reel of motion picture film including a first plurality of frames of film, the method includes receiving the first plurality of frames of motion picture film to determine a first plurality of digital data, receiving a second plurality of digital data associated with source data, comparing digital data from the first plurality of digital data to respective digital data of the second plurality of digital data to determine plurality of anomalies associated with the first plurality of frames of motion picture film, and recording the plurality of anomalies associated with the first plurality of frames of motion picture film in a log.
- Emeryville CA, US Dominic GLYNN - Berkeley CA, US
International Classification:
H04L 29/06 H04L 29/06
Abstract:
Techniques are proposed for embedding transition points in media content. A transition point system retrieves a time marker associated with a point of interest in the media content. The transition point system identifies a first position within the media content corresponding to the point of interest. The transition point system embeds data associated with the time marker into the media content at a second position that is no later in time than the first position. The transition point system causes a client media player to transition from a first image quality level to a second quality level based on the time marker.
- Emeryville CA, US Dominic GLYNN - Berkeley CA, US
Assignee:
Pixar - Emeryville CA
International Classification:
H04L 29/06
US Classification:
709231
Abstract:
Techniques are proposed for embedding transition points in media content. A transition point system retrieves a time marker associated with a point of interest in the media content. The transition point system identifies a first position within the media content corresponding to the point of interest. The transition point system embeds data associated with the time marker into the media content at a second position that is no later in time than the first position. The transition point system causes a client media player to transition from a first image quality level to a second quality level based on the time marker.
Pixar Animation Studios
Senior Scientist
C.o.r.e Feature Animation Dec 2003 - Jan 2006
Lead Software Engineer
Rising Sun Pictures 2001 - Dec 2003
Head of Research and Development
Saab 1998 - 2001
System Design Engineer, Software Architect
Education:
University of South Australia 1998 - 1999
Masters, Telecommunications, Engineering
University of Adelaide 1995 - 1997
Bachelor of Engineering, Bachelors, Computer Systems Engineering
Skills:
Animation Algorithms Color Science Feature Films Visual Effects Film Video Post Production Film Production Computer Graphics Python
Dominic Glynn (born September 27, 1960) is a British composer, known for his arrangement of the Doctor Who theme music which served as the series' theme for ...
Youtube
Doctor Who: Terror Version - Dominic Glynn
I just noticed that this video wasn't on YouTube, so my friend and I d...
Category:
Music
Uploaded:
22 May, 2010
Duration:
4m 19s
Forsaken - Pure bitch power (Stephen Root, Do...
soundtrack from the game Foraken: en.wikipedia.org